Tuesday, December 28, 2010
Monday, December 6, 2010
Eli Et Papillon
Une Chanson Pour Tout Dire - Eli Et Papillon
I found this song and I LOVE it. Even though I can not understand it, it is just beautiful.
I found this song and I LOVE it. Even though I can not understand it, it is just beautiful.
20" by 20"
My first 20" by 20! I was very excited to start this new size and they turned out to be two great pieces that still need a little bit of tweeking.
The Last Collages
Close ups of my paint
los ojos
 |
| before |
some pretty basic before and after shots of one of my pieces, the one with the eyes. I think i definately better developed the bulk of the eye and the "academy award" figure to the left.
 |
| tada! after. still could use to work around the edges.. |
Wednesday, December 1, 2010
Aaron Smith
His color use is absolutely incredible. His diverse color choice adds so much life to his work, and it emphasizes the light and dark shades without simply using black and white tones.
When you look closer at his paintings and see the actual build up of the paint it is very impressive. While I'm not sure how I feel about his subject matter I think that there is a lot that I can learn from his painting style.
When you look closer at his paintings and see the actual build up of the paint it is very impressive. While I'm not sure how I feel about his subject matter I think that there is a lot that I can learn from his painting style.
Dena Schuckit
 |
Aerial Event 2010 Acrylic on wood 20" x 24" |
 |
Zagged 2010 Acrylic on wood 20" x 24" |
 |
Zagged 2010 Acrylic on wood 20" x 24" |
|
Night Smoulder 2010 Acrylic on wood 24" x 20" |
 |
Hot Slag 2010 Acrylic on wood 12" x 16" |
 |
Bumper 2009 Acrylic on wood  Flap 2010 Acrylic on wood 20" x 24" |
 | |
Holeburst 2009 Acrylic on wood 24" x 20 |
 | |
Crowdburst 2 2009 Acrylic on wood 10.5" x 12.5 |
Kate Shaw
I found this artist Kate Shaw on Boooooom. I couldn't find any of the titles to her works but they are very intriguing and mystifying. She creates her pieces by pouring paint and explores the way in which paint reacts to its natural elements and the environment which it is in.
Jim Gaylord
 |
| Refraction with Monster gouache on paper 19 x 30 in. 2008 |
 | ||||
| A Wit Among Lords oil on linen 36 x 60 in. 2008 | The colors are so intriguing in the painting. I want to live in it. |
 |
| Apocalypto/Jackass/Fury gouache on paper 26 x 40 in. 2008 |
 |
| Love Will Tear Us Apart Again oil on canvas 48 x 84 in. 2008 |
 |
| Am I Legend? oil on canvas 48 x 84 in. 2009 |
 | |
| Horse oil on linen 14 x 24 in. 2010 I love the distortion of the "horse" figure in the painting... there is so much motion in the background it almost feels as though you're riding the horse. |
 | |
| Necessary Roughness oil on canvas 18 x 32 in. 2010 This painting feels much smoother than his other ones. That sap green dominates the background and yet allows the yellows and oranges to pop in the foreground. |
 |
| Lapse of Decorum oil on canvas 35 x 60 in. 2010 |
 | |
| Crestfallen oil on canvas 20 x 45.5 in. 2010 |
 | |||
| Intersection oil on linen 24 x 40 in. 2008 |
Subscribe to:
Posts (Atom)